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MATTHEW
HARRISON:
Working
at acting schools and studios since 1996, Matthew has developed a
distinct and comprehensive technique and a professional philosophy that
has evolved into what is now known as the ACTOR'S FOUNDRY. Matthew's
emphasis on self-knowledge as the springboard to ego-less acting and
its conduit to clear story telling has earned him a loyal roster of
working actors. His emphasis on collaboration over conflict and
community over competitiveness has built a foundation for those actors
in the all-encompassing professional facility known as the Actor's
Foundry.
Matthew's thoughts and opinions are found in his essays
which have evolved from his pre-class talks, dubbed "sermons" by his
students. The essays have achieved fame and life across the web.
Matthew
began a career in the arts as a writing assistant to the award-winning
American playwright Frederick Douglas Ward. Matthew's arts education
continued at New York's prestigious Neighborhood Playhouse Theater
School from 1991 to 1995. After the two year intensive training,
Matthew was hired by the National Theater of the Performing Arts and
toured the United States twice. Two years of working with regional
theaters landed him in Seattle playing Hamlet at the Washington
Shakespeare Festival. He has continued working extensively as an actor
in theatre on stages across North America.
On screen, Matthew's
credits are extensive. Film and television features include Thirteen
Ghosts, Romeo Must Die, The House Next Door, The Watchmen, Downloading
Nancy, Destination Infestation, The Last Trimester, Vivid Dreams,
Tornado Warning, Judicial Indiscretion opposite Anne Archer.
His
numerous television guest spots include recent television appearances
on Reaper, Smallville, Supernatural, Tru Calling, Stargate, Stargate:
Atlantis,
The 4400, Reunion and a recurring character on the Canadian series
Godiva’s. Matthew's comedic and improv skills served him well as the
Neanderthal Man in Night At The Museum and Night At The Museum 2:
Battle For The Smithsonian with Ben Stiller and Robin Williams.
Promoting
what he calls "Professional Creativity", Matthew is often involved in
his clients self-created projects as director, producer, sponsor, and
coach. In this capacity, he has directed several made for the Web
episodics, short films, plays, stage presentations, and scene nights.
He has directed many successful theatre productions in New York, Los
Angeles, and Vancouver.
Matthew can be reached for coachings through coaching.
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